1956th BLOG POST
27th
Book of 2021
Ashwiny
Iyer Tiwari has already won our heart by creating great movies such as Nil
Battey Sannata, Bareilly ki Barfi and Panga. I adore for the way she has
created her own identity in the Hindi film industry through her work. It was a
surprise when I got to know that she is releasing a book written by herself
because generally, filmmakers take some time entering the world of literature as
writing and working on a movie itself takes most of their energy. Her very first
book named “Mapping Love” is published by Rupa Publications in around 187
pages.
You
can surely finish this book in one or two sittings as it’s not a very long story
but the way it moves insist on making you pause for some time before proceeding
ahead. It has not happened for long with me with a book but this one really
made me think a lot about my past decisions. The protagonist Oorja’s character
is framed so deeply that you understand the kind of dilemma and trauma she is
in. She is returning to India with lots of angst because her mother has died
due to a mistake committed by her father. And over that, now her father is also
no more – as he lost his life almost in the similar scenario. She is back in
her grandfather’s home where she meets a boy named Anang who has taken care of
everyone in her absence.
The
emotions of a girl knowing that someone else has better tuning in her family
than herself because of her absence can be felt throughout the story post-entry
of Anang. The way she deals with him tells you how difficult it can get when
you have failed multiple times in past relationships, but you must again decide
if this one is okay to commit yourself in. Also, the way she thinks about Anang
even after leaving the place makes you feel for her – a girl who is already in
stress and confusion has only one hope of love – and she is surviving only on it.
The way pre-climax makes us acquainted with a fact we were not expecting at all
gives us a chair-jump as suddenly, it seems the book has shifted the gear and
become one from thriller genre. Another such moment is when Police calls her
for verifying a body. That scene is totally chilling and horrifying.
The
poems as filler in between the story are so moving that you end up reading them
10 times before proceeding ahead. It gave me a little ZNMD movie kind of a feel
but generally, I don’t like English poems, but some of the poems mentioned in
this book makes your heart weep in love and hope. I also liked the philosophical
take by the authoress throughout the story in almost every important section.
Even when something is said which is quite general and common, her philosophical
part uplifts the paragraph or chapter. Without the inclusion of it, this book must
have lost 50% of its effectiveness.
Talking
about the drawbacks now, I felt that author didn’t work much on
characterizations. I couldn’t relate too much with anyone else other than
Oorja. Even with her, you don’t get to know much about the important happenings
in her past which can make us understand her completely. Secondly, the language
used in the book is not very easy and you’ll find it very hard initially and if
you are reading it with lot of gaps, it is going to trouble you each time while
re-starting. Thirdly, the whole angle of Anang’s medical condition seems like a
forced drafting as it doesn’t sound genuine at all. Even the whole thing is
just informed to us rather than driving story on it for little longer.
Overall,
this book is a fine read and it can gather mixed reviews based on everyone’s
experiences in their own life and how they relate it with Oorja’s life. I give
this book 3.25* out of 5. Please read to understand if it connects with you or
not.
Thanks.
WRITING BUDDHA
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